Worn, Torn Photo Edges Effect In Photoshop

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You can use any photo you like for this effect, but it tends to work best on images that already have an older look to them. Here's the photo I'll be using (Bodie, California photo from Fotolia):

The original image.

And here's how the final "worn, torn edges" effect will look when we're done:

The final effect.

Let's get started!

Step 1: Duplicate The Background Layer

With your image newly opened in Photoshop, you'll see in your Layers panel that it's sitting on the Background layer, currently the only layer in the document:

The Layers panel showing the photo on the Background layer.

The first thing we need to do is duplicate this layer. Go up to the Layer menu in the Menu Bar along the top of screen, choose New, then choose Layer via Copy. Or, press Ctrl+J (Win) / Command+J (Mac) on your keyboard to select the same command with the handy shortcut:

Going to Layer > New > Layer via Copy.

Nothing will happen to the image in the main document area, but if we look again in the Layers panel, we see that Photoshop has made a copy of the Background layer and placed it on a new layer named Layer 1 above the original:

Layer 1 now appears above the Background layer.

Related: Learn all about layers in Photoshop

Step 2: Add More Canvas Space

Next, let's add some extra canvas space around the image. Go up to the Image menu at the top of the screen and choose Canvas Size:

Going to Image > Canvas Size.

This opens Photoshop's Canvas Size dialog box. First, make sure the Relative option is checked, which tells Photoshop to start with our current canvas size and add more space to it. Then, set both the Width and Height values to around 20 Percent. That should give us more than enough room to work. Finally, make sure the center box in the Anchor grid is selected so Photoshop knows to add the extra space evenly around the image:

The Canvas Size dialog box.

Click OK to close out of the dialog box. Photoshop adds the extra canvas space around the photo:

The extra canvas space has been added.

Step 3: Add A New Blank Layer Below Layer 1

Next, we need to add a new blank layer between our two existing layers. Press and hold the Ctrl (Win) / Command (Mac) key on your keyboard and click the New Layer icon at the bottom of the Layers panel:

Clicking the New Layer icon while holding Ctrl (Win) / Command (Mac).

Normally, Photoshop would have added the new layer above Layer 1, but by holding down the Ctrl (Win) / Command (Mac) key as we clicked the New Layer icon, we told Photoshop to add it below Layer 1 instead. Our new blank layer (Layer 2) now appears between Layer 1 and the Background layer:

The newly added Layer 2.

Step 4: Fill The New Layer With White

At the moment, our new layer is blank. We need to fill it with white which will serve as the background for the effect. Go up to the Edit menu at the top of the screen and choose Fill:

Going to Edit > Fill.

This opens Photoshop's Fill dialog box. Set the Contents* option at the top to White, then click OK (*in versions of Photoshop prior to CC 2014, the Contents option is named Use):

Setting the Contents (Use) option to White.

It won't look like anything has happened in the main document area, but if we look at the preview thumbnail for Layer 2 in the Layers panel, we see that the layer is now filled with white:

The preview thumbnails show us the contents of each layer.

Step 5: Select The Top Layer

Click on Layer 1 in the Layers panel to select it and make it active:

Selecting Layer 1.

Step 6: Add A Layer Mask

With Layer 1 selected, click the Add Layer Mask icon at the bottom of the Layers panel:

Clicking the Add Layer Mask icon.

A white-filled layer mask thumbnail appears to the right of the preview thumbnail on Layer 1, letting us know that the layer mask has been added:

A layer mask thumbnail appears.

Related: Understanding layer masks in Photoshop

Step 7: Select The Brush Tool

Select Photoshop's Brush Tool from the Tools panel along the left of the screen. You can also select the Brush Tool by pressing the letter B on your keyboard:

Grabbing the Brush Tool.

Step 8: Select The 100 px Rough Round Bristle Brush

With the Brush Tool selected, click on the Brush panel icon in the Options Bar along the top of the screen:

Clicking the Brush panel icon in the Options Bar.

This opens Photoshop's main Brush panel. Click on the Brush Presets button in the upper left corner of the panel to view a list of preset brushes we can choose from:

Clicking the Brush Presets button.

We need a specific brush for our effect, so to make it easier to find it, click the small menu icon in the upper right corner of the Brush panel:

Clicking the menu icon.

Then choose either Small List or Large List from the menu that appears. I'll choose Large List. This will display the actual names of the brushes rather than just thumbnails or brush strokes:

Choosing Large List from the menu.

Scroll down the list until you find the 100 px Rough Round Bristle Brush, then click on it to select it:

Selecting the 100 px Rough Round Bristle brush.

Step 9: Set Your Foreground Color To Black

We'll be using our brush and our layer mask to hide some of the edges around the photo, but to do that, we'll need to be painting on the layer mask with black. Photoshop uses the current Foreground color as the brush color, so lets quickly set the Foreground color to black.
First, make sure your layer mask, not the layer itself, is active by clicking on the layer mask thumbnail in the Layers panel. A white border around the thumbnail tells us the mask is selected:

Making sure the layer mask is selected.

With the mask selected, press the letter D on your keyboard to reset your Foreground and Background colors to their defaults. This makes your Foreground color white and your Background color black (these default colors would be reversed if the layer itself, not the mask, was selected). Then, press the letter X on your keyboard to swap the colors so your Foreground color becomes black. You can see your current Foreground and Background colors in the color swatches near the bottom of the Tools panel. The Foreground (upper left) swatch should now be filled with black:

The Foreground (upper left) swatch should be black.

Step 10: Paint Around The Edges Of The Image

With our Brush Tool in hand, the layer mask selected and black as our Foreground color, we're ready to create our worn, torn edges. We'll start along the left side of the image. Position your brush tip so that it's in the top left corner of the document with only about a third of the brush extending over the image itself. The rest of the brush should be outside of the image in the white canvas space. Click once, then with your mouse button still held down, drag a short brush stroke downward along the upper left edge. Since we're painting on the layer mask, not the image itself, you won't see a black brush stroke. Instead, the edge will begin to disappear:

Painting a short stroke downward from the upper left corner.

As we can see in the screenshot above, my initial brush stroke didn't completely hide the edge, and that's due to the shape of the brush. You'll most likely need to paint over the same area a few times to hide the edge completely:

Painting over the same area repeatedly until the edge is gone.

If you find that the default brush size is either too large or too small for your image, you can change its size from the keyboard. Pressing the left bracket key ( [ ) repeatedly will make the brush smaller; the right bracket key ( ] ) makes it larger.
Continue working your way down the left side of the image by painting short brush strokes, always keeping roughly two thirds of the brush tip outside of the image in the white canvas area so you don't remove too much of the edge. If you make a mistake, you can undo your last brush stroke by pressing Ctrl+Z (Win) / Command+Z (Mac) on your keyboard. Or, you can undo multiple brush strokes by pressing Ctrl+Alt+Z (Win) / Command+Option+Z (Mac) repeatedly:

Continuing down the left side of the image.

Once you reach the bottom left corner of the photo, continue around the rest of the image until you're back in the top left corner where you began. When you're done, your edges should look something like this:

The initial torn edges effect.

Step 11: Duplicate The Layer

Now that our initial torn edges effect is complete, we need to make a copy of what we've done. Press Ctrl+J (Win) / Command+J (Mac) on your keyboard to quickly duplicate the layer:

A copy of Layer 1 appears above the original.

Step 12: Hide The Top Layer

We don't need the copy we've made just yet, so let's temporarily hide it from view in the document. To do that, click on the visibility icon (the eyeball icon) on the top layer:

Clicking the top layer's visibility icon.

Step 13: Select Layer 1

Now that we've turned off the top layer, select Layer 1 again by clicking on it in the Layers panel:

Clicking on Layer 1 to make it active.

Step 14: Add A Color Overlay

Let's add some effects to this layer. Click on the Layer Styles icon (the fx icon) at the bottom of the Layers panel:

Clicking the Layer Styles icon.

The first effect we'll add is Color Overlay which will fill the contents of the layer with a solid color. Choose it from the list of layer styles that appears:

Choosing a Color Overlay layer effect.

This opens Photoshop's Layer Style dialog box set to the Color Overlay options in the middle column. We need to choose a color, so click on the color swatch to the right of the Blend Mode option:

Clicking the color swatch.

When the Color Picker opens, choose a light gray. If you want to use the same shade of gray that I'm using, set your H (Hue) value to 0°, the S (Saturation) value to 0% and the B (Brightness) value to 90%:

Choosing a light gray from the Color Picker.

Click OK to close out of the Color Picker, but don't close out of the Layer Style dialog box yet because we have a couple more effects to add. Your image should now appear filled with gray in the document. This gray will serve as the paper behind the photo. You'll see what I mean when we start painting away more of the edges:

The image after applying the Color Overlay effect.

Step 15: Add An Inner Glow

With the Layer Style dialog box still open, click on the words Inner Glow in the list of layer styles along the left. Make sure you click on the words themselves and not simply inside the checkbox, otherwise you'll just turn the Inner Glow on but won't have access to its options:

Selecting the Inner Glow style by clicking on its name.

The middle column of the Layer Style dialog box changes from the Color Overlay options to the Inner Glow options. Even though the name of the effect is Inner Glow, we're actually going to use it as a shadow to darken the edges around the image. To change it from a glow to a shadow, first change the Blend Mode option at the top from Screen to Multiply. Then click on the color swatch to change its color:

Changing the Blend Mode to Multiply and clicking the color swatch.

When the Color Picker opens, choose black, then click OK to close out of it:

Changing the color of the Inner Glow to black.

Back in the Layer Style dialog box, lower the Opacity down to 10%, then increase the Size value to around 24 px, just enough to darken the edges:

Lowering the Opacity and increasing the Size values.

Keep the Layer Style dialog box open because we still have one more effect to add. Here's my image with both the Color Overlay and Inner Glow applied:

The edges now appear darker after applying the Inner Glow effect.

Step 16: Add A Drop Shadow

Finally, let's add a bit of a shadow behind the image. Click on the words Drop Shadow at the bottom of the list of effects along the left of the Layer Style dialog box. Once again make sure to click on the words themselves, not simply inside the checkbox, otherwise you won't have access to the Drop Shadow options:

Selecting the Drop Shadow effect by clicking on its name.

With Drop Shadow selected, lower the Opacity value of the shadow down to around 30% so it's fairly subtle, then change the Angle to around 135°. Finally, increase both the Distance and Size of the shadow to around 10 px:

The Drop Shadow options.

We're done adding our effects, so click OK to close out of the Layer Style dialog box. Here's my image with all three effects (Color Overlay, Inner Glow and Drop Shadow) applied:

The image after applying all three layer effects.

Step 17: Turn The Top Layer Back On

Turn the top layer back on in the document by clicking once again on its visibility icon in the Layers panel:

Clicking the empty square to turn the top layer back on.

Step 18: Select Its Layer Mask

With the top layer back on, select its layer mask by clicking on the mask thumbnail:

Clicking the layer mask thumbnail.

Step 19: Paint Away More Of The Edges

With the top layer's mask selected, go back around the edges of the image with your brush using short strokes, just as we did initially, to remove even more of the edge. As you paint over areas, you'll reveal the light gray on the layer below them (the gray we added with the layer styles), creating the illusion that the photo has worn off around the edges and only the paper behind it remains. As before, due to the shape of the brush, you'll need to paint over the same area a few times if you want to hide the edge completely:

Painting away more of the edge.

Again, you can change the size of the brush if needed by pressing the left bracket key ( [ ) to make it smaller or the right bracket key ( ] ) to make it larger. If you make a mistake, press Ctrl+Z (Win) / Command+Z (Mac) to undo your last brush stroke, or Ctrl+Alt+Z (Win) / Command+Option+Z (Mac) to undo multiple strokes.
Continue painting your away around all four sides of the image. Here's my effect so far. We're almost done:

The edges are really starting to look worn out at this point.

Step 20: Lower Your Brush Opacity To 50%

Let's finish off the effect by painting away a few more sections of the edge. But this time, rather than hiding the edge completely, we'll simply fade it. To do that, we'll need to lower the opacity of our brush. You'll find the Opacity option in the Options Bar. Lower it down to 50%:

Lowering the opacity of the brush to 50%.

Step 21: Paint Over A Few More Sections Of The Edge

Then, paint along a few more areas of the edge. The lowered opacity of the brush allows the image to partially show through the strokes, creating a faded look. There's no need to paint along the entire edge. A few random sections here and there is all you need:

Painting over random areas to fade them.

Continue around the edges to fade random sections until you're happy with the results. The only thing left to do at this point is trim away the extra canvas space around the image, which we'll do next:

Worn, torn and now faded edges.

Step 22: Trim Away The Extra Canvas Space

To trim away the extra canvas space, go up to the Image menu at the top of the screen and choose Trim:

Going to Image > Trim.

When the Trim dialog box opens, make sure Top Left Pixel Color is selected at the top and that all four options (Top, Bottom, Left and Right) are checked at the bottom (which they are by default):

Selecting "Top Left Pixel Color" in the Trim dialog box.

Click OK to close out of the dialog box. Photoshop trims away the white canvas space, leaving us with our final "worn, torn edges" result:

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